A look at the Oscar Nominated Visual Effects work behind the recreation of Wilhuff Tarkin for Rogue One: A Star Wars Story made by Industrial Light & Magic.

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A taste of the Oscar Nominated Visual Effects and virtual camera work behind the space battle above Scarif in Rogue One: A Star Wars Story by Industrial Light & Magic.

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A taste of the Oscar Nominated Visual Effects work behind the destruction of the oil rig in the film Deepwater Horizon by Industrial Light & Magic.

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See how the Oscar®-nominated visual effects team creating the incredible Mirror Dimension for Marvel’s Doctor Strange in this behind-the-scenes reel from Industrial Light & Magic. Creating new realities is no small task, which is why Doctor Strange has picked up a slew of nominations and awards for its visual effects.

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A taste of the Oscar Nominated Visual Effects work behind the creation of the oil rig in the film Deepwater Horizon.

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We are pleased to share a sample of the visual effects work created for Star Wars: The Force Awakens. The history of ILM leads all the way back to 1975 and origins of Star Wars and The Force Awakens gave us the opportunity to once again push the boundaries of what is possible in character […]

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Behind the Magic: The Visual Effects of Brad Bird’s ‘Tomorrowland’ – Here we revisit the effects work that ILM’s global team contributed to the film. As the first-ever film finished and released in 4K high dynamic range, the work on the film presented numerous challenges not the least of which was creating the city of […]

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We are pleased to share a sample of the visual effects work created for Colin Trevorrow’s ‘Jurassic World.’ ILM has a long and storied history with the Jurassic series and this film, like each film that has come before it, breaks new ground in character animation and visual effects.

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In 1975 George Lucas formed Industrial Light & Magic (ILM) to create the special effects for his space opera Star Wars. Since that time, ILM has contributed to over 300 films in the process earning 15 Academy Awards for Outstanding Achievement in Visual Effects and 28 Scientific and Technical Achievement from the Academy.

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We are pleased to share a sample of the visual effects work created for Darren Aronofsky’s biblical epic, ‘Noah.’ Here we touch on the naturalistic effects required to grow a forrest and the creation of a CG ark.

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Ultron returns to cause even more trouble for our heroes in another trailer for Marvel’s “Avengers: Age of Ultron,” in theaters May 1! ► Subscribe to Marvel: http://bit.ly/WeO3YJ Follow Marvel on Twitter: https://twitter.com/marvel Like Marvel on FaceBook: http://www.facebook.com/Marvel For even more news, stay tuned to: Tumblr: http://marvelentertainment.tumblr.com/ Instagram: http://instagram.com/marvel Google+: https://plus.google.com/+marvel/ Pintrest: http://pinterest.com/marvelofficial/

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We are proud to present a sampling of of ILM’s visual effects work for Marvel’s blockbuster hit, ‘Captain America: The Winter Soldier’ directed by brothers Anthony and Joe Russo. This reel represents a small sampling of the nearly 900 visual effects shots ILM contributed to the film created by an international crew of 300+. The […]

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Post-production is frequently a total mystery to fans. Once is film is finished, sometimes a studio will release concept art or set photos showing us pre-production. We see the actual production on the screen and in lots of behind the scenes featurettes. But once filming is done, you’d think the movie was magically willed into […]

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We are proud to present a sampling of of ILM’s visual effects work for Michael Bay’s ‘Transformers: Age of Extinction’. This reel represents a fraction of the work created by over 400 artists, scientists, and engineers backed up by a world-class production team. The film’s Visual Effects Supervisor, Scott Farrar, was honored with the Hollywood […]

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“Pacific Rim” is Guillermo del Toro’s modern retake on the giant city destroying Kaiju films that started with Godzilla in 1954. The survival of mankind is threatened by giant alien creatures and to respond to this outsized threat, the nations of the Earth come together to build an outsized response – similarly sized giant combat […]

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“Star Trek Into Darkness” contains over 1600 visual effects shots, created by Industrial Light & Magic, Pixomondo, Atomic Fiction and Kelvin Optical Inc. In this reel, we’ll take a look at ILM’s work which encompassed virtually every tool and discipline in our effects arsenal. We hope you enjoy the work. We hope you enjoy the […]

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Industrial Light & Magic Visual Effects Supervisor Tim Alexander and Digital Environments Supervisor Dan Wheaton discuss the effects challenges presented on Gore Verbinski’s ‘The Lone Ranger.’ The film’s primary visual effects challenges involved the creation of the hundreds of photorealistic CG environments seen throughout the film’s dramatic action sequences.

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Although roughly a third of “The Avengers” is set in New York City precious little was actually filmed there. ILM crew members photographed 7-miles of city streets from a variety of heights and at different times of day totaling 250,000 images. The crew then digitally recreated roughly 20 square blocks of mid-town Manhattan using a […]

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Creating The Hulk for Marvel’s “The Avengers” was a daunting task but it would have been infinitely more challenging had we not been able to partner with actor Mark Ruffalo to capture a performance worthy of the green guy. Learn more about the process from ILM’s lead talent on the film.

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Although Industrial Light & Magic’s advanced fluid simulation system had been honored with a Sci-Tech Award from the Academy in 2007, for “Battleship” the visual effects team knew they would have to completely re-engineer the system from the ground up if they were going to be able to meet the demands of Peter Berg’s sci-fi […]

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What was involved in creating The Hulk for Marvel’s The Avengers? ILM’s Visual Effects Supervisor, Jeff White, Associate VFX Supervisor, Jason Smith and other key crew members take you behind the scenes in a two part look at the CG creature effects work done on the film.

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We are proud to present this video which showcases some of ILM’s Oscar nominated effects work for the 2012 hit film, “Marvel’s The Avengers”. This reel represents a small fraction of the work created by over 200 ILM artists, scientists, and engineers backed up by a world class production team. The stop motion animations which […]

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While “The Avengers” posed many visual efffects challenges, one of the larger challenges was pulling together the “tie-in” shot during the third act of the film. Rather than frames, this single shot is measured in minutes on screen and is one of the longest effects shots in the film. It incorporates both practical special effects […]

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We are proud to present this video detailing Industrial Light & Magic’s visual effects work for Peter Berg’s 2012 sci-fi epic, ‘Battleship’.

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We are proud to present this second video which breaks down a bit more of ILM’s visual effects work for the third installment in the Transformers series, “Dark of the Moon.”

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ILM Visual Effects Supervisor discusses the visual effects of Michael Bay’s “Transformers: Revenge of the Fallen.”

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ILM visual effects supervisor, John Knoll, discusses the challenges creating the maelstrom for “Pirates of the Caribbean: At World’s End.”

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ILM visual effects supervisor John Knoll discusses the challenges presented by the effects needs of “Pirates of the Caribbean: At World’s End.”

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A brief behind the scenes look at the visual effects work created by Industrial Light & Magic on the 2009 blockbuster film, Star Trek – Specifically the ‘Jump Sequence.’ Interviews with Visual Effects Supervisor and Second Unit Director, Roger Guyett; Assoc. Visual Effects Supervisor, Eddie Pasquarello and Animation Director, Paul Kavanagh.

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