The Most Beautiful Shots of the 90s

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A compilation of The Most Beautiful Shots of the 90s.

Edited by Ignacio Montalvo

Music: Reaching – Audiomachine

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Films (in chronological order)

-Goodfellas (1990, Martin Scorsese)
-Wild at Heart (1990, David Lynch)
-Miller’s Crossing (1990, Joel Coen)
-Close-Up (1990, Abbas Kiarostami)
-The Godfather: Part III (1990, Francis Ford Coppola)
-Edward Scissorhands (1990, Tim Burton)
-King of New York (1990, Abel Ferrara)
-The Silence of the Lambs (1991, Jonathan Demme)
-Barton Fink (1991, Joel Coen)
-Terminator 2: Judgment Day (1991, James Cameron)
-Beauty and the Beast (1991, Gary Trousdale, Kirk Wise)
-Europa (1991, Lars Von Trier)
-Thelma y Louise (1991, Ridley Scott)
-Night of Earth (1991, Jim Jarmusch)
-Cape Fear (1991, Martin Scorsese)
-Aladdin (1992, Ron Clemens, John Musker)
-Malcolm X (1992, Spike Lee)
-Batman Returns (1992, Tim Burton)
-Dracula (1992, Francis Ford Coppola)
-Unforgiven (1992, Clint Eastwood)
-Reservoir Dogs (1992, Quentin Tarantino)
-True Romance (1993, Tony Scott)
-Chungking Express (1993, Wong Kar-Wai)
-The Piano (1993, Jane Campion)
-Schindler’s List (1993, Steven Spielberg)
-Jurassic Park (1993, Steven Spielberg)
-The Nightmare Before Christmas (1993, Henry Selick)
-The Shawshank Redemption (1994, Frank Darabont)
-Pulp Fiction (1994, Quentin Tarantino)
-Léon: The Professional (1994, Luc Besson)
-The Lion King (1994, Rob Minkoff, Roger Allers)
-Apollo 13 (1995, Ron Howard)
-La Haine (1995, Mathieu Kassovitz)
-Se7en (1995, David Fincher)
-Heat (1995, Michael Mann)
-Casino (1995, Martin Scorsese)
-Before Sunrise (1995, Richard Linklater)
-Braveheart (1995, Mel Gibson)
-Toy Story (1995, John Lasseter)
-Mission: Impossible (1996, Brian De Palma)
-Fargo (1996, Joel Coen)
-The Rock (1996, Michael Bay)
-Romeo + Juliet (1996, Baz Luhrmann)
-Trainspotting (1996, Danny Boyle)
-Cube (1997, Vincenzo Natali)
-Event Horizon (1997, Paul W.S. Anderson)
-Happy Together (1997, Wong Kar-Wai)
-Titanic (1997, James Cameron)
-The Fifth Element (1997, Luc Besson)
-Boogie Nights (1997, Paul Thomas Anderson)
-L.A. Confidential (1997, Curtis Hanson)
-The Game (1997, David Fincher)
-Abre los ojos (1997, Alejandro Amenábar)
-Face Off (1997, John Woo)
-Men in Black (1997, Barry Sonnenfeld)
-Contact (1997, Robert Zemeckis)
-Lost Highway (1997, David Lynch)
-Gattaca (1997, Andrew Niccol)
-Taste of Cherry (1997, Abbas Kiarostami)
-Good Will Hunting (1997, Gus Van Sant)
-Kundun (1997, Martin Scorsese)
-Run, Lola, Run (1998, Tom Tykwer)
-La vita è bella (1998, Roberto Benigni)
-The Big Lebowski (1998, Joel Coen)
-Rushmore (1998, Wes Anderson)
-American History X (1998, Tony Kaye)
-Pleasantville (1998, Gary Ross)
-What Dreams May Come (1998, Vincent Ward)
-The Thin Red Line (1998, Terrence Malick)
-Saving Private Ryan (1998, Steven Spielberg)
-He Got Game (1998, Spike Lee)
-Dark City (1998, Alex Proyas)
-Ronin (1998, John Frankenheimer)
-Buffalo ’66 (1998, Vincent Gallo)
-Fear and Loathing in Las Vegas (1998, Terry Gilliam)
-Great Expectations (1998, Alfonso Cuarón)
-The Truman Show (1998, Peter Weir)
-The Green Mile (1999, Frank Darabont)
-Man on the Moon (1999, Milos Forman)
-Matrix (1999, Lilly Wachowski, Lana Wachowski)
-Fight Club (1999, David Fincher)
-American Beauty (1999, Sam Mendes)
-Todo sobre mi madre (1999, Pedro Almodóvar)
-Magnolia (1999, Paul Thomas Anderson)
-The Sixth Sense (1999, M.Night Shyamalan)
-Eyes Wide Shut (1999, Stanley Kubrick)
-The Virgin Suicides (1999, Sofia Coppola)

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